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Camille Pissarro Pang plans Schwarz orchards mk259 1876 Oil on canvas years 38 x 46 cm
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Camille Pissarro Landscape mk259 1876 Oil on canvas years 45.8 x 55 cm
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Camille Pissarro Pang plans scenery Schwarz mk259 1876 Oil on canvas years 58.4 x 80.6 cm
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Camille Pissarro Pang plans under sunset Schwarz mk259 1876 Oil on canvas years 46 x 55 cm
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Camille Pissarro Pang map of apple Schwarz mk259 1876 Oil on canvas years 38.6 x 56 cm
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Camille Pissarro Pang plans scenery Schwarz mk259 1876 Oil on canvas years 60 x 72.5 cm
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Camille Pissarro Ludas girls mk259 1876 Oil on canvas years 57.8 x 73 cm
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Camille Pissarro Garden mk259 1876 Oil on canvas years 112.7 x 165.4 cm
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Camille Pissarro Pang plans Schwarz summer mk259 1877 Oil on canvas years 59 x 74 cm
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Camille Pissarro Pang map of the sur-oise mk259 1877 Oil on canvas years 57 x 92 cm
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Camille Pissarro Red roof mk259 1877 Oil on canvas years 54.5 x 56.5 cm
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Camille Pissarro Pang plans spring Schwarz mk259 1877 Oil on canvas years 65 x 81 cm
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Camille Pissarro Pang plans spring Schwarz mk259 1878 Oil on canvas years 54.5 x 65.5 cm
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Camille Pissarro Farmland landscape mk259 1878 Oil on canvas years 38 x 55 cm
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Camille Pissarro Scenic shore mk259 1878 Oil on canvas years 54 x 65 cm
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Camille Pissarro Pang map of the iceberg Schwarz mk259 1878 Oil on canvas years 55 x 65 cm
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Camille Pissarro Landscape mk259 1879 Oil on canvas years 54 x 65 cm
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Camille Pissarro Yun-hay carriage mk259 1879 Oil on canvas years 46.3 x 55.3 cm
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Camille Pissarro Wheelbarrow mk259 1879 Oil on canvas years 54 x 65 cm
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Camille Pissarro Woods mk259 1879 Oil on canvas years 46.5 x 56 cm
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Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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